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Posts Tagged ‘Music’

Yesterday was awesome.  It was full of awesomeness.  I spent time with four young people with whom I served this summer at Institute, a United Methodist youth camp held at Baker University.  We visited my friend Kevin Norris, who runs a sound and production company called GroovySoul, and my musician friends laid down four tracks.  Two of the songs were original compositions, and the other two were songs that were sung prominently during our week of camp.  Great stuff.

Here are a few photos.

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Kevin at the controls.

Beth on vocals.

Beth on vocals.

Nolan on keys.

Nolan on keys.

Kayli on amazingness.

Kayli on amazingness.

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It is no secret I’m a music geek.  It is also no secret that I am in love with words.  When I was in high school a great deal of my life was determined by music.  My friend Scott Beimler and I would listen carefully to all kinds of music, mining the lyrics for kernels of truth that would “relate” to our present life.  We would spend hours picking through his expansive music collection, browsing sleeve inserts and reading through the printed materials that came along with some of his best boxed set collections.  We were fascinated with lyrics.  We would find words that possessed power, and those words were heightened by instrumentation and music that would resonate with the present state of our soul, whether we were soaring at our highest heights or had plummeted to our lowest of lows.  I have continued to have friends with whom a shared love of music has been important to the relationship, such as Scot Huber or Mike Hibit, and I have been thankful for the sharing of harmony, rhythm, truth, and beauty that music has the unique power to convey. 

Last week I had the opportunity to share the music of a community that has blessed me in recent years, and I took great joy from the conversations and shared passions which were born through those conversations.  I asked a handful of students whom I walked alongside last week which musicians they listened to, and I came home with a list of 15 to 20 bands or performers they found compelling.  I had work to do on iTunes.  I also shared some of my musical preferences, most notably the work of Mike Crawford and His Secret Siblings.  It was particularly exciting to share “Words to Build a Life On” and see the students incorporate that anthem into our camp worship experiences.

If you haven’t heard of Mike Crawford, check out his work at his MySpace page, and if you’re interested in learning how to play a couple of the songs that have been born out of the Jacob’s Well community, check out Mike’s YouTube Channel.  You can also check in with Mike Crawford’s website, which is under construction, but according to Mike’s comment I found on this blog post, it is forthcoming soon and will feature charts and tabs.  If you’re interested in picking up their two CD collection, you can click here or wait till mid-August, at which time you can purchase it through iTunes.  Both the music and the lyrical content are fantastic.

Mike’s music is stuff I would recommend.  I particularly love the way in which the words of Scripture are sung throughout the album, which, at this time in my life, are the very words upon which I feast.  Mike’s music also allows for the Word to be heard in fresh ways, and, in a sense, recaptures the narrative of Scripture in a manner that ignites the imagination and opens up new possibilities for how that Word may be born in us as followers of Jesus.

T.S. Eliot, in his poem “Ash Wednesday,” observed:

If the lost word is lost, if the spent word is spent
If the unheard, unspoken
Word is unspoken, unheard;
Still is the unspoken word, the Word unheard,
The Word without a word, the Word within
The world and for the world;
And the light shone in darkness and
Against the Word the unstilled world still whirled
About the centre of the silent Word.

We live in a world where the Word is unheard and unspoken.  But Mike’s music points to the Word, the light which shone in the darkness, which stands silent and waits to be spoken, and, even when it is unspoken, still stands at the center.  Mike’s music is witness to truth and beauty that has a name, Jesus the Christ.

If you haven’t already picked up Mike Crawford’s work, do it, and let it bless you.

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J.J. Heller :: Small

Cardboard cutouts on the floor 
People wish that you were more like what they wanted you to be
Eventually they won’t have much of you at all in their theology 
The walls are closing in on you
You cannot be contained at all

I don’t want to make you small
I don’t want to fit you in my pocket
A cross around my throat
You are brighter than the sun 
You’re closer than the tiny thoughts I have of you
But I could never fathom you at all

Broken moldings all around
Broken people hit the ground 
When they discover that you’re not here for our benefit
You love in spite of us
You use the least of us to prove the strong aren’t really strong at all

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I’ll post thoughts after the concert.  Until then here are a couple of YouTube videos that have prepped me for the E Street madness.

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Amazing Grace

Thanks to Rene’ Evans for passing on this link, which features the video seen below.  Enjoy.

 

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Some of you may have heard about Radiohead’s move to make their latest album, In Rainbows, available as an online download.  What was unique about this was Radiohead’s decision to make the album available without a set price.  In fact, the person downloading the album could give what they thought the music was worth.   The album was available for download here.  The media covered the release here and here, among other places.  Some people scooped up the album while it was available online for free.  Others paid $5, $10, or $15.  I missed the boat on the download promotion, and picked up the album at Target this week for $9.99.

I’m a music junkie with not a lot of disposable income for music.  I really enjoy stuff outside of mainstream radio, and was a huge fan of Texas Country while I was a student at Baylor, and became increasingly a fan of alternative music thanks to my friend David G. Argueta.  David’s middle name is actually “G”.

After giving Radiohead’s new album a few spins, it is fantastic.  The Bends will remain the gold standard.  I will say that Radiohead’s sound has had to grow on me, but now that I’ve begun to understand what I’m hearing I think it is phenomenal.

How much money would you pay for an album from your favorite band, even if they didn’t ask you for the cash?  As seen in this experiment, people pay for stuff that they believe has value.  Think this has anything to teach us in areas other than marketing?

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Caedmon’s Call

Expectations :: From the 2007 release Overdressed

That boy had the highest of expectations
And he heard that Jesus would fill him up
Maybe something got lost in the language
If this was full, then why bother?

This was not the way it looked on the billboard
Smiling family beaming down on the interstate

You know that we all try to blame someone
But our dreams won’t rise up from their sleep
And the reaching of the steeple felt like one more
Expensive ad for something cheap

This was not the way it looked on the billboard
Smiling family beaming down on the interstate

Dressed up nice for the congregation
Scared somebody’s gonna find him out
Through the din and the clatter of the hallelujahs
A stained glass Jesus sings

This was not the way it looked on the billboard
Smiling family beaming down on the interstate

I normally have an aversion to Christian music (I listen to alternative rock, mainly), so my choice to listen to Caedmon’s Call this morning as I was brushing my teeth was a bit out of character.  As I was listening to their album Overdressed this song caught my ear.  I was reminded of similar impressions I had of church marketing while living in Dallas, Texas–something about the white, traditional family of four smiling at me as I drove north on 75 didn’t quite sit right with me.  Since that time I have thought that such icons only affirm that Stanley Hauerwas is right when he claims that we have turned the family in to an idol.

There is a lot of truth in this song.  The first verse exposes the fact that Jesus isn’t a magic bullet, though we commonly package him that way.  The third verse addresses the common perception that religious, specifically Christian people, at times possess the fear that they must maintain an outward appearance of perfection when they are crumbling inside.

The chorus is what really grabbed me.  We market and present ourselves one way, and then reality hits.  What does our “marketing” say to people of diverse races and ethnic backgrounds?  What does it say to singles?  Senior Adults?  Teenagers who have families who have no interest in a faith community?

When Jesus says, “Whoever comes to me and does not hate father and mother, wife and children, brothers and sisters, yes, and even life itself, cannot be my disciple. Whoever does not carry the cross and follow me cannot be my disciple,” it scares the living bejesus out of us (Luke 14:26-27).  We like verse 27, but verse 26 is a challenge.  Jesus is redefining our kinship in a way that makes us uncomfortable.  It should make us uncomfortable, as Dietrich Bonhoeffer reminds us.  Nevertheless, we should remember that the family of God includes people of all ages, races, genders, political parties, nationalities, and on and on.

What do you think?

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SP00N to Visit KC

If I recall correctly, back in 2000 (or early 2001) Spoon’s “Lines in the Suit” was featured on Napster as a “Download of the Day” and I jumped on it.  This was back when online file sharing was completely out of control–and I loved it.  Napster, Limewire, and other file sharing networks provided a space where my musical horizons could be expanded.  During my college years I was consumed with the “Texas Music” boom, tracking Pat Green as he rose to prominence while encountering numerous other artists who were producing some excellent stuff.  My friends David and Colin supplemented my love for Texas music by pointing me toward some of the best alternative music at the time.  During this period I was also learning to play a few chords on the guitar.  The little that I have learned has helped me to listen more closely to music–I understand rhythm a bit better (though I don’t have much), I can pick up chord progressions, and I can hear the way different instruments work together to produce sound.

spoon-ga-03-screen.jpgLike I said, Spoon was one of the gems I stumbled upon during the Napster era.  At the time I only found one of their other songs on that network, “The Fitted Shirt.”  Both songs appeared on  their 2001 release Girls Can Tell.  Of course I didn’t buy the album, and around this time my Napster use came to a screeching halt.  I also didn’t have a lot of disposable income, further limiting my music purchases.  At this point Spoon became a pleasant memory.  I knew two of their songs–and loved them–I just didn’t know if I would ever hear from them again.

 When I moved to Kansas City my friend Mike Hibit hooked me up with some stuff to listen to–some sermons from John Piper, some Sufjan Stevens, and, funny enough, Spoon’s Girls Can Tell.  That was in 2005–I had been on hiatus from Spoon for about 4 years, and here I was, reunited.

 Coming up on April 2 Spoon will be visiting KC.  I’m already equipped with tickets.  Mike Hibit and I are planning on going to the concert.  For any of my KC friends, if you would like to check out Spoon visit their website.  Under the “Songs” tab they have a pretty good sampling of their music available.  If you like what you hear grab some tickets, and I’ll see you at Uptown.

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